“Frank the Pig” requires on the themes of noir cinema and attempts to quirkily reinterpret them making use of animation. The finish item is a labored and confusing brief which fails to use the wealthy visual and storytelling possibilities of animation as a medium. Overflowing with technical shortcomings, “Frank the Pig” would have benefitted from substantially much more polishing, specially on the screenplay level.
“Frank the Pig” is screening at ShortShorts
The film opens with a mysterious get in touch with which the eponymous Frank receives in his flat. He will die quickly, for motives that are under no circumstances completely explained in the film. Like in a classic noir story, he is offered a sentence and seemingly there is absolutely nothing to be accomplished about the fate looming more than the protagonist. Is he actually bothered by the get in touch with? Type of, perhaps? How did he arrive in this predicament? And why does he not select to do something about it? Though it may perhaps look to be a conscious decision to stay so enigmatic, it is far much more most likely that the script’s superficiality is an impact of not polishing it sufficient.
Psychological nuance in “Frank the Pig” is unquestionably not communicated via the visuals which are frustratingly superficial and lacking in detail. Do the dialogues and sound style make up for these gaps? The viewer will swiftly understand that the answer to that query is a stern “no”. As 1 can study from the finish credits, voices heard in the film come from HI Voice, a Huawei voice-assistant app. This explains why the exchanges in between the characters sound particularly flat. Some of the conversations are also basically badly written, with lines like “I’m Frank, so let’s speak frankly” harrowing the author of this write-up days just after watching the film.
The director-screenwriter, Hiroshi Imafuku, worked on this project clearly with a minimal price range which is not an challenge in itself… if an intriguing story was capable to make up for the low production values. That is not the case, as the 3 acts look extremely disjointed. Lack of chemistry in between the characters and no clear thought for how the film must method the noir themes only show that “Frank the Pig” appears much more like a perform in progress than a completed film