Interview with Leila Hatami: I Became an Actress to Be Sad

Leila Hatami belongs to a household of artists. She made a part of her research in Lausanne, on the Polytechnical Faculty, earlier than learning french literature. Her position in “The Abandoned Station” (2002) netted her the Finest Actress award on the twenty sixth Montreal World Movie Competition. For “A Separation” by Ashgar Farhadi, a movie that additionally obtained an Academy Award, she obtained the Silver Bear within the 2011 Berlinale and the 2012 Finest Actress Crystal Globe from the Karlovy Differ Movie Competition within the Czech Republic. She additionally has been jury member of many festivals, just like the Rome Worldwide Movie Competition and the 67th Cannes Movie Competition. 

On the event of her receiving the Honorary Golden Cyclo Award from FICA Vesoul, we communicate together with her about her father and his affect on her profession, collaborating with Abbas Kiarostami and Asghar Farhadi, performing inside Iran’s limitations and lots of different matters.

The truth that your father was a filmmaker, how a lot did it affect you to be able to grow to be an actress? 

I believe it’s apparent. My father had an affect on me, possibly not himself precisely, however his life. In my childhood, it was not clear for me the place the film set ended and the home began. The individuals who labored for my father had been my household, and these should not simply phrases, I actually imply it. As a result of we had been a really small household, since I’m an solely baby, and the idea of household deviated to cinema, my father’s associates would come dwelling and sit, eat and sleep, even for one or two weeks. Or we went to their homes and did the identical. This additionally occurred as a result of on the time, it was very normal for individuals to be checked by patrols on the streets in Tehran throughout nights. So when somebody was having dinner, for instance, in another person’s dwelling, it was very frequent to additionally spend the evening in that home, it was like a ritual of kinds. This additionally gave the chance for individuals to return a lot nearer. 

Afterward in your profession, you additionally acted in your husband. Would you say that was a form of continuation primarily?

I didn’t really perceive the shift, it occurred naturally. We had been companions on stage and we knew one another, after which we received married, so I used to be first an actress after which turned a spouse. 

Which was tougher although, performing in your father or your husband?

This can be a superb query. Each had been troublesome as a result of when somebody is aware of you, it’s exhausting to interpret what a job calls for in entrance of them, troublesome to carry out primarily. When I’m performing I contemplate myself being on the filmmaker’s service, I’ve to make his order occur, after which carry out. My job is to fake, however when you must try this in entrance of an individual that is aware of you very properly, it is vitally troublesome to behave, since you are very clear, as a result of he is aware of you too properly. The second level is when individuals are actually skilled, they anticipate this factor I simply talked about from their actors, that possibly they don’t seem to be 100% on a regular basis, and I used to be fortunate to work with actual professionals, in each the circumstances you talked about. 

How do you select the roles you play? 

As knowledgeable, I contemplate the script and what my perform is within the film. Additionally, I have to assume if the position will profit or harm me, in my profession. As an artist, I additionally contemplate the pleasure issue, if I’m going to get pleasure from taking part in a selected half. Generally, each apply, however this occurs hardly ever, two instances each ten years let’s say. 

You might have performed in 43 films. Do you typically discover it troublesome to get out of 1 position and into the following? Or to exit of the character and be your self once more? 

If the script is well-written, the character is created absolutely on paper. Then, it turns into an outfit you placed on for the half, and if you return dwelling, you simply put the outfit away. It’s straightforward when the script is like that, however that is uncommon really. Folks can’t create characters so simply, in any other case everybody could be a script author. Subsequently, more often than not, you must put part of your self in it, you give one thing to the position, the character is definitely constructed by you. However as a result of that is you additionally, you progress together with this character, even past the film. The outcome, on this case, is the character turns into extra like your self, not the position the script author has created.

However, if the character could be very properly written, it might really affect your ideology. This doesn’t occur from at some point to the opposite, you progressively begin to assume in several methods. I don’t assume a personality in a movie can actually affect an individual, it impacts but it surely doesn’t go so deep as to alter your entire self. You put on the position, it touches your pores and skin, but it surely does grow to be a part of your physique. I don’t assume the alternative, which many actors state, really applies, or possibly I’ve not felt it or I had however I didn’t notice it consciously. 

So that you at all times know the place the actress stops and Leila begins? 

Sure. It’s true that you simply put a whole lot of your self within the roles, to the purpose you can say {that a} character in a film is a combination of each your self and the character, however I nonetheless know the restrict. . 

Are you able to give me some particulars about your cooperation with Abbas Kiarostami?

When the movie was completed, we met and he requested me if I used to be glad with myself within the film. I replied no and he mentioned that it was his fault. He actually meant it, he was not an individual who performed with phrases, no matter he mentioned was the reality. One other factor is the best way he shot me. He at all times created an environment of lightness. He stood behind the digital camera, and he knew arrange the entire thing, similar to all professionals do. However a whole lot of administrators, as a substitute of constructing it simpler for the actor, they’re there and simply get them organized to be ready, like they’re speaking to a toddler. And they don’t perceive that this angle can harm the actor. Kiarostami nevertheless, was the alternative, he was a director who knew deal with his actors. He put some factors in writing, A,B,C, after which, when he was taking pictures you alone, he would ask you, for instance, to look from level A to level B, he was serving to his actors in that approach, which I appreciated very a lot. He had a particular method to make movie, and I’m not simply saying this as a result of he helped me. He had the flexibility to consider the others; that is essential. As a result of if you end up on one aspect, it’s obscure what is going on on the opposite aspect, however he had this means to grasp how the others felt. 

So, why was your efficiency not good? 

(laughs) As a result of I’m additionally a bit troublesome, I need issues to be excellent. The primary time he requested me, I refused to be in his movie, as a result of I needed to have a particular place, I didn’t need to have the identical perform with all the ladies in his movies. I didn’t need to be one other one within the physique of all actresses, I needed to be alone and to shine. I didn’t need to be utilized by him ultimately. The third time he referred to as me, and on the time he had been taking pictures his movie for 3 years, he instructed me, “If you wish to be proven, that is one of the best ways to do that, by not being in my movie”. At that second, I noticed that every little thing was apparent between us and so I made a decision to cooperate with him. So in my case, I used to be requested to point out totally different emotions than the actresses often confirmed in his movies, I used to be smiling for instance, and I don’t like these emotions, I need to be emotional and cry. So possibly that’s the reason I used to be not glad with my efficiency. I turned an actress to be unhappy. I like these sorts of girls, who’re hysterical, fragile.

How was the expertise of working with Asghar Farhadi? 

That was additionally nice. He’s a kind of administrators, like my father, Ali Mosaffa, and some others that I’ve labored with, the place you’ve gotten pleasure on the set. You are feeling that you’re creating one thing significant, and the sensation is nice. As a result of the “recreation” was severe. As a toddler, after I performed video games with my associates, I needed to be severe, regardless of the recreation was.

And in addition needed to win on a regular basis? 

Sure! (laughter). Now nevertheless, not too long ago really, my perspective modified. I don’t see successful as I did earlier than, I calmed down. This doesn’t imply I’ve resigned, however that my perspective has, my overview has modified. And I like this alteration, that I turned extra mature (laughter) 

Are you able to inform me a bit extra about “PIG”?

It was superb, the director, Mani Haghighi, requested a whole lot of actresses to play this half, they usually refused. He referred to as and instructed me that he has requested different actresses and I instructed him that I might play the half, offered one specific scene will not be within the movie. This scene was essential for him, it was my character’s funeral and I didn’t need to see my funeral. The one time I must be at my funeral is when it’s really my funeral (laughter). 

Was there a job that you simply want to play and didn’t? 

I at all times reply to this query, that I might like to play Nikita, I might like it. I additionally appreciated how she was dressed, her lightness, her indifference, her detachment from the world. That was 20 years in the past, nevertheless, now I can’t see myself on this position, my age has modified, my temper has modified, I’ve grow to be too associated to the world. 

How is the state of affairs with Iranian trade concerning actresses? Is it straightforward to make a profession?

Sure, however possibly I’m not the appropriate particular person to reply this query, as a result of, primarily, I began from the highest, I didn’t begin with small roles. My first movie, “Leila”  continues to be my largest movie. 25 years in the past, I starred in a movie that modified its title to my identify, which signifies how essential my presence was. It was very ‘pink carpet’ for me from the start (laughter).

Do the restrictions that exist in Iran trigger important points for you, concerning your performing?

After my first movie “Leila”, I used to be in Thessaloniki, and anyone requested me this query, and my reply was that these limitation can really assist me to be extra inventive, as a result of I’ve to behave solely utilizing my face, I’ve no different “equipment”, besides the lighting and the best way the administrators chooses to shoot me. Aside from these, I’ve nothing else to assist me present my emotions. That is very exhausting, as a result of I’ve to go actually deep inside me to painting what must be portrayed, to do my job as an actress. This, although, makes me higher. Throughout Covid, one in every of my associates misplaced her mom and I went to the funeral. There was a second after I met her, and I needed to hug her, but it surely was inconceivable because of Covid. What I might do was have a look at her and categorical myself from the within, which is basically the identical I do with my performing, inside Iran’s limitations. However now, every little thing has modified, every little thing is extra relaxed. Should you see my movies from 25 years in the past, the headband needed to cowl nearly every little thing other than the face, however now it is a little more huge. The opposite factor is that I began working as an actress with these limitations, and I’ve practiced performing on this approach, so now, I’m not acutely aware about my effort, it comes mechanically. At first, nevertheless, it helped me be extra severe, to behave from the within.

Are you engaged on something new in the meanwhile? 

I’ve many new tasks and I’m glad about them, additionally as a result of administrators have improved loads over the last years. Because of the web I believe, and its affect on data and know-how, which has additionally given individuals extra confidence in the best way they assume and the best way they do their job. Creativity has elevated and the best way filmmakers do issues has improved. Earlier than, needed to have particular concepts for each side of the film, however now the concepts are simply there. Even pondering turned a great everybody can have. The web modified every little thing. 

Have you ever ever considered changing into a filmmaker? 

I had this concept in my thoughts from the start of my profession, but it surely was by no means a want or a necessity. Possibly the issue is that I’m in entrance of people that anticipate this factor; when individuals anticipate you to do one thing, it’s troublesome to outline if you would like one thing or in case you are simply responding to expectations. When you find yourself an actor, individuals anticipate you to additionally shoot movies in some unspecified time in the future, in my case additionally as a result of my father was an enormous director and handed away very early, and possibly individuals need his daughter to take his place. 

In my thoughts, the director is the chef and the actor the waiter, two fully totally different jobs. Though they’re in the identical place, within the restaurant, they’re very totally different. And the chef  has to need to cook dinner and to know cook dinner, however typically, as a waiter, you grow to be curious in regards to the chef, about what he’s doing there. The waiter is essential after all, as a result of they will have an effect on your temper and the best way you get pleasure from what you might be consuming. You possibly can eat the perfect plate, however when you don’t just like the waiter’s angle, you might even need to flip the desk the wrong way up. I noticed this not too long ago, as a result of years in the past I assumed that the director was the painter and the actors the colours, that the thought and the fabric have equal impact to the tip outcome  However as a perspective, it’s totally different that the instance of the cook dinner and the waiter, the primary one is extra of how the actor considers the collaboration with the director, and the second how the filmmaker does.   



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