Film Review: King Boxer (1973) by Jeong Chang-hwa

Within the Seventies, American audiences had been handled to an explosion of Hong Kong, Korean, and Taiwanese martial arts and kung-fu movies, together with the works of Bruce Lee and rival studios Shaw Brothers and Golden Harvest. Because the output cranked out in that fashion featured loads of full-fledged classics in addition to quite a few low cost knock-offs, none of these films could be concerned with out the affect of a selected one, Jeong Chang-hwa’s infamous “Tian xia di yi quan,” which went by way of a slew of titles together with “Hand of Demise,” “5 Fingers of Demise,” or “Invincible Boxer” however also referred to as “King Boxer” as a part of the Shawshope Vol. 1 boxset from Arrow Video.

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After an assault on his trainer, Chao Chih-hao (Lo Lieh) and his beloved Sung Ying-ying (Wang Ping) are requested to affix his colleague Solar Hsin-pei (Mien Fang) earlier than an upcoming match is held within the space. When his coaching is discovered to be inferior, he begins coaching underneath Yen Chu Hung (Chin-Feng Wang) who instantly begins taunting and teasing him over his decrease ability set which is put to the check when Meng Tung Shun (Tien Feng) and his gang transfer into the world. As the 2 faculties start jockeying for place within the huge match to have the ability to rule the world, he embarks on a quest to enhance his skill-set tremendously to have the ability to assist his newfound household maintain again the invading gang.

What actually works in “King Boxer” is the continual nature of the assaults. These provide up a powerful tempo inside the movie. The opening ambush on the professor offers a strong begin, because the outnumbered teacher is ready to fend off the gang with a little bit of intervention, the road fights are a strong method of introducing us to the characters’ skillsets in short vogue, whereas the collection of confrontations inside the cantine the place the gang resides present some brutal and considerably bloody brawls between combatants. That will increase the deeper it will get into the movie as either side pull out all of the stops to forestall the opposite from attending to the match, beating up rivals exterior the dojos or ambushing one another in alleyways all through the village, which arrange the effective motion choreography of Chen Chuan and Liu Chia Yung that’s vastly exemplified by the 2 huge motion scenes. The ambush within the woods the place Chao’s maimed horribly in an accident is starkly brutal and delightful on the similar time, whereas the multi-fighter match within the second half presents the fighters quite a few possibilities to showcase their skillset as the dignity and pleasure usually featured in such movies carry “Boxer” to a detailed in a satisfying if cliched method.

The forged is simply as strong because the martial arts prowess. Lo Lieh as Chao Chih-Hao is the archetypical hero present in Shaw Brothers’ movies on the time. He’s brave, type, and beneficiant to a fault, trusts others to be as honorable and righteous as he’s merely due to his coaching, which permits him to get into hazard by way of these actions quite than appearing with any cheap conduct. Nevertheless, that’s the trope of the studio’s heroes and he does effectively with the position, performing the martial arts with good ability and energy with out problem, and permitting us to remain on his facet in the course of the double-crossing afterward. The 2 dojo heads, Mien Fang as the sort Solar Hsin-Pei and Feng Tien because the brutal Meng Tung-Shun each serve their kinds properly and emerge as the suitable leaders for his or her respective kinds. Like most girls from this time interval, Ping Wang as his love curiosity Sung Ying Ying presents nothing past a romantic subplot to make the hero extra relatable and down-to-Earth. The remainder of the forged is usually one-dimensional brutal thugs or simply our bodies to be thrown round within the fights.

Past the martial arts prowess on show, there isn’t a lot else to “King Boxer.” The easy story by Chiang Yang properly retains issues transferring alongside at a brisk tempo by introducing causes to battle one another because the rivalry continues to escalate, with numerous individuals regularly focused within the title of honor and revenge. As these are subjects that may be broached by a whole lot of efforts each earlier than and after this one, the movie stands out for the simplistic nature of the way it proceeds. The mere indisputable fact that it runs so long as it does merely serves to focus on how nothing actually adjustments from the beginning of the film to the top. Not even romantic dalliances or allegiances switching sides all through right here serve a lot objective. It shouldn’t be truthful to criticize “King Boxer” for that challenge as others took these components for themselves but it surely does emerge as part of the movie. As effectively, an odd structural dynamic of the story stretches this out just a little longer than regular, the place the ultimate revenge isn’t over with the top of the match because the story is stretched out with a few flimsy combating that ought to’ve been added into the story earlier on so it’s not ten minutes too lengthy. Nevertheless, this isn’t a detriment as a lot because the simplistic nature actually is.

With some stellar work featured right here and being fairly an vital piece of labor within the style past most measures inside the movie itself, that is actually an vital and distinguished work within the scene. Wholly beneficial to any fan of old-school kung-fu efforts or simply martial arts cinema usually, whereas those that want extra modern leanings in these kind of movies ought to nonetheless give it an opportunity anyway.



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