Short Film Review: Red Wine and Rain (2021) by Jennifer Marie Morgan

Asian American cinema has discovered its place underneath the highlight not too long ago, with plenty of releases getting a spot in festivals just like the San Diego Asian and in streaming providers. One of many newest that got here our method is “Pink Wine and Rain”, in a reasonably minimalist quick that takes place within the center avenue.

“Pink Wine and Rain” evaluation is a part of the Submit Your Movie Initiative

Two {couples} are having a go at one another in a suburban avenue, with the yelling, the insults and the accusations coming from in every single place. It seems that Danny used to this point Kathy, earlier than she cheated on him with James, the boyfriend of her childhood finest good friend, Sophia. The latter appears to be essentially the most enervated amongst them, because the double betrayal she has skilled has introduced her on the point of a nervous breakdown. Kathy tries to calm issues down by apologizing, however the wounds appear to be too deep.

In simply over 16 minutes, Jennifer Marie Morgan manages to current a reasonably thorough portrait of all of her characters, together with their interconnecting relationships, in in all probability one of the best trait of the film. In that trend, Sophia is mad to the purpose of hysteria however justifiably wounded, James pompous and obnoxious, Danny comparatively calm and Kathy apologetic, with the methods the 4 conduct themselves justifying the preliminary relations, because of the similarity of the characters. On the similar time, the truth that the {couples} have break up, may be perceived as a remark relating to how ‘opposites entice’.

Someplace right here, nevertheless, is the place the narrative begins to falter, because it by no means turns into clear why Cathy and James bought collectively, since not even themselves can clarify the explanations for doing one thing that destroyed two {couples} and one reasonably vital friendship. On the similar time, the 2 monologues of the women emerge as too sentimental, with Sophia’s specifically bordering on the melodramatic, regardless of the reasonably convincing efficiency of Ell, who offers essentially the most memorable act within the movie.

Then again, the strain Morgan implements from the start is reasonably charming, significantly on the query of how the entire thing will finish, thus carrying the quick till the finale. Andrew Jacquot’s cinematography helps essentially the most in that regard, though the continuously shaky digital camera and the continual zoom-ins get considerably annoying after a trend. Charles Zhang’s enhancing additionally strikes in the identical, tension-inducing path, whereas additionally giving a way of motion in a brief that takes place inside just some sq. meters.

“Pink Wine and Rain” has its deserves, significantly relating to its ambiance, however Morgan ought to undoubtedly enhance within the writing and the way in which the story is carried out inside the narrative, since her effort just isn’t removed from being soapy.



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